We
have a certain ideal before watching a movie that has been deemed a “romance”. We
understand that there will be a story line that this movie, Annie Hall, fallows
to a large extent. It always has a certain flow: boy meets girl, boy and girl
want to have sex, boy and girl eventually have sex, boy and girl realize that
the other partner is human, not just a sex machine, and has to deal with that
fact. This flow allows for the viewer to sit back and relax no surprises, no
sudden scares. Annie hall does break the mold when it allows us a more
realistic and cynical view on what goes on in a relationship and inside the
minds of the two genders.
Woody
Allen did a wonderful job at challenging the perfect romance he went past the
fluttering whimsical love that can be seen whenever two old movie stars are
resting their cheeks lovingly together (i.e. Humphrey Bogart and Ingrid Bergman).
Woody Allen decided to push the romantic ideal open a little more by having a
view that is imperfect and human. His very opening is controversial for the
romanticist of its day. In the beginning of a romantic movie one is supposed to
watch one of the characters leading a miserable life. Alvy’s life seems
miserable because he is always complaining but it is not from the lack of love,
it is only from the excess of paranoia. He has a very fulfilling life. He enjoy
the company of friends and has a relatively successful career where people somewhat
remember his name. This movie also begins with Alvy and Annie arguing,
foreshadowing an unfortunate love affair that is going to end badly. The
romantic at this point would ask, “Why am I watching a movie just to see a
relationship fail”. However, Woody Allen finds that there is more for the
audience to gain from seeing the events of a failing relationship than one that
ends happily ever after.
A
romantic film usually juxtaposes the man and the women as two people who have
very little in common, the women has one role while the man performs another. This
juxtaposition of the genders in this film does happen but unlike in other films
this exceeding difference between the two characters is broken by the fact that
their character traits switch. Alvy tended to have a more grownup demeanor and
embodies some pride in the beginning of their relationship, holding himself
over Annie as the superior. Annie at this point is practically a little girl
who can’t even hold her head up in public or talk to boys. This is the typical
gender role that is usually seen for the man and the women. She needs narcotics
to be able to participate in acts that are too grown up for her persona.
At
the end of their relationship Annie is found to be the one holding the reins in
the relationship. She is the one in control, with all the pride and
sophistication that Alvy now lacks. Even the little things in the movie switch
such as the ability to drive (or not drive) a car. On the first day that Annie
and Alvy are together Annie is driving in a radical, extremely dangerous
manner. On the last day that Annie and Alvy are together Alvy is the one
driving and hitting all of the cars around him. A complete switch of the two
genders is done and the gender roles are broken.
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